On exminer.com David Sadof takes a look at some of the guitarists who played on Michael Jackson records. While on Off The Wall (1979) Jackson worked with jazz influenced guitarists Larry Carlton and Phil Upchurch, he later also collaborated with rock guitarists such as Eddie Van Halen, Steve Stevens (Billy Idol) and Slash (Guns N’ Roses).

Rene Hall is one of the most important founders of rock’n'roll and rhythm and blues.

If you don’t know his name, don’t worry. Unfortunately his name is only known to a few insiders. Although it’s him who’s  playing that raunchy guitar on Ritchie Valens’ “La Bamba” and who wrote the arrangement for Sam Cooke’s “A Change Is Gonna Come”.

TheHoundDog published a wonderful interview with Rene Hall that gives some insight into his great achievements. Be sure to read it and learn more about a very important musician.

The year was 1968. The Canadian rock band The Collectors decided to record a hit single in a former meat packing plant in Los Angeles. The psychedelic song Lydia Purple was the result.  Glenn Miller, who played electric bass and sang background vocals for The Collectors, shares his memories with Lost & Sound.

“Lydia Purple was a blatant attempt at getting an AM radio hit”, admits Glenn Miller. That may explain why the song sounds like a super group consisting of The Beatles, The Bee Gees, The Rolling Stones, The Kinks, The Who and The Mamas & Papas. But compared to British productions of that era, The Collectors sounded much better. Not only, because they were more accomplished musicians than your average rock musician.

(Source: Virtual Audio Museum)

Scully 8 Track

Producer David Hassinger also contributed to the polished sound: “Hassinger and his head engineer Richie Podler had a lot to do with the sound on that album. Hassinger used his trademark ‘tape delayed echo’ technique  on it. I believe that album was recorded on an 8 track tape machine, a Scully, I think. The monitor speakers were modified Altec studio monitors and the playback amps were McIntosh tube amps.”

Lydia Purplewas recorded at American Sound in North Hollywood. “Great little studio”, says Miller, “used to be an old cold storage meat packing plant. The walls were over a foot thick and filled with sawdust for insulation. The Greatful Dead recorded their first album there with Hassinger producing.”

While most pop and rock musicians of the sixties didn’t play their instruments on records (this was the task of professional studio musicians), The Collectors played their instruments themselves.

“We all played on that session”, Glenn Miller remembers. “I played a fretless Fender Precision bass , Ross Turney on drums, Bill Henderson on guitar and recorder, Claire Lawrence on sax and recorder and Howie Vickers on lead vocal. Bill, Claire and myself sang background harmonies.”

“We hired a string arranger and brought in some studio players who played in the symphony for the string overdubs. They did a lot of that work – three guys and a girl. They called themselves ‘The Hollywood String Quartet’. And we had Los Angeles studio musician Larry Knechtel who played piano and electric harpsichord.”

Unusual for a pop song are the dynamics of  Lydia Purple. “We didn’t use much compression on any of the tracks. Bass was recorded with a mic in front of the amp. Same with guitars. The drums were Ross Turney’s personal set of Ludwigs”, explains Miller.

Lydia Purple was released as a single in both the USA and Canada. The song is on the first Collectors album, titled simply The Collectors. “It made the Billboard charts but not very high”, Miller says. “It was a regional hit in a number of cities in the USA. And a big hit in Canada.  It’s the most different sounding song of any we recorded then and was where we started to develop our vocal harmony sound, which was pretty hip for the time.”

The Collectors (1968): Claire Lawrence, Glenn Miller, Bill Henderson, Howie Vickers, Ross Turney

In 1970 The Collectors changed their name to Chilliwack. Under this name they had a long and successful career with different line ups until the nineteen-eighties. Canadianbands gives you more details about the history of Chilliwack.

 This article is based on an email-interview with Glenn Miller.

More about The Collectors

• Liner Notes for the CD reissue of The Collectors’ The Collectors
• The Collectors on MySpace (with songs)
• “Flower Bomb Songs” Blog writes about Lydia Purple.
• buy CD reissue of The Collectors album The Collectors
• Raincoaster blog writes about Lydia Purple
• Song: We Can Make It
• Song: Fat Bird
• Song: Old Man
• Song: Rainbow of Fire
• Song: The Collectors – Old Man

Legendary Nashville Guitarist Ray Edenton

Nashville studio guitarist Ray Edenton is a legend of the rhythm guitar. His guitar was an important ingredient of the so called classic “Nashville Sound”.

He created this timeless sound together with among others guitarist Harold Bradley, drummer Buddy Harman, and bass player Bob Moore.

Ray Edenton’s playing gave a defining edge to immortal songs like Crazy (Patsy Cline), Some Day’s Are Diamonds (John Denver), Till I Get It Right (Tammy Wynette), Chug a Lug (Roger Miller) or Wake Up Little Susie (Everly Brothers).

Now the Ray Edenton Website is online. It includes a short biography and there’s a wonderful collection of songs.

See also: Ray Edenton And The Secret Of His Nashville Guitar Tuning