“Lydia Purple” by Canadian Group “The Collectors” – History Of A Psychedelic Song From The Sixties


The year was 1968. The Canadian rock band The Collectors decided to record a hit single in a former meat packing plant in Los Angeles. The psychedelic song Lydia Purple was the result.  Glenn Miller, who played electric bass and sang background vocals for The Collectors, shares his memories with Lost & Sound.

Lydia Purple was a blatant attempt at getting an AM radio hit”, admits Glenn Miller. That may explain why the song sounds like a super group consisting of The Beatles, The Bee Gees, The Rolling Stones, The Kinks, The Who and The Mamas & Papas. But compared to British productions of that era, The Collectors sounded much better. Not only, because they were more accomplished musicians than your average rock musician.

Producer David Hassinger also contributed to the polished sound: “Hassinger and his head engineer Richie Podler had a lot to do with the sound on that album. Hassinger used his trademark ‘tape delayed echo’ technique  on it. I believe that album was recorded on an 8 track tape machine, a Scully, I think. The monitor speakers were modified Altec studio monitors and the playback amps were McIntosh tube amps.”

Lydia Purple was recorded at American Sound in North Hollywood. “Great little studio”, says Miller, “used to be an old cold storage meat packing plant. The walls were over a foot thick and filled with sawdust for insulation. The Greatful Dead recorded their first album there with Hassinger producing.”

While most pop and rock musicians of the sixties didn’t play their instruments on records (this was the task of professional studio musicians), The Collectors played their instruments themselves.

“We all played on that session”, Glenn Miller remembers. “I played a fretless Fender Precision bass , Ross Turney on drums, Bill Henderson on guitar and recorder, Claire Lawrence on sax and recorder and Howie Vickers on lead vocal. Bill, Claire and myself sang background harmonies.”

“We hired a string arranger and brought in some studio players who played in the symphony for the string overdubs. They did a lot of that work – three guys and a girl. They called themselves ‘The Hollywood String Quartet’. And we had Los Angeles studio musician Larry Knechtel who played piano and electric harpsichord.”

Unusual for a pop song are the dynamics of  Lydia Purple. “We didn’t use much compression on any of the tracks. Bass was recorded with a mic in front of the amp. Same with guitars. The drums were Ross Turney’s personal set of Ludwigs”, explains Miller.

Lydia Purple was released as a single in both the USA and Canada. The song is on the first Collectors album, titled simply The Collectors. “It made the Billboard charts but not very high”, Miller says. “It was a regional hit in a number of cities in the USA. And a big hit in Canada.  It’s the most different sounding song of any we recorded then and was where we started to develop our vocal harmony sound, which was pretty hip for the time.”

The Collectors (1968): Claire Lawrence, Glenn Miller, Bill Henderson, Howie Vickers, Ross Turney

The Collectors (1968): Claire Lawrence, Glenn Miller, Bill Henderson, Howie Vickers, Ross Turney

In 1970 The Collectors changed their name to Chilliwack. Under this name they had a long and successful career with different line ups until the nineteen-eighties. Canadianbands gives you more details about the history of Chilliwack.

This article is based on an email-interview with Glenn Miller.

More about The Collectors

7 thoughts on ““Lydia Purple” by Canadian Group “The Collectors” – History Of A Psychedelic Song From The Sixties

  1. Huh. I had a trackback from this post to my post on Lydia Purple (which I stumbled across on YouTube and quite enjoyed), but now I can’t find the link in the post. Ah well, maybe I had a contact high?

  2. Sad to learn of Glenn Miller’s passing in Tom Harrison’s Province newspaper blog The Garage. Tom reprinted an email from Bill Henderson with fond reminiscences about his old bandmate, especially the fretless bass which was a virtual rarity in 1968.

    In recent years, Glenn contributed detailed technical facts on Collectors/Chilliwack songs and band achievements to a variety of web
    pages and blogs. He was understandably proud of the two bands’ oft-groundbreaking work. It’s too bad more musicians from overlooked groups don’t do the same. The story behind a particular recording is frequently as interesting as the song itself.

    Glenn is the third member of Chilliwack to pass away. Brian “Too Loud” MacLeod and Howard Froese died in the 1990s. All three played on Lights From The Valley and I think harmonized behind Bill Henderson on that Sutherland Bros. cover Arms of Mary. (Lights was a complicated affair as Howard was leaving–but got liner note credits–while Glenn and drummer Ross Turney split shortly after the album’s release.)

    Glenn, however, is the first founding member of the Collectors and Chilliwack to expire. Dig his slappin’ bass on Early Morning (Collectors), subtle runs on the original Raino (he also played on the more poppish 1976 remake) and his gritty lead vocal on the self penned I Got You Fixed. Along with the original Raino, it was on the first eponymous Chiilliwack album (known affectionately as The Indian Mask).

  3. I don’t know if this blog is still active but I googled the name Lydia Purple because when I was a youngster hitchhiking around Europe in the early seventies I met some people who opened a health food cafe in Amsterdam. It’s obvious to me now that this sone must have been their inspiration but perhaps you know more about this connection? Just curious.
    best,
    bev

  4. Pingback: A Giant Crab Comes Forth is not a ’50s sci-fi flick! | A Giant Crab Comes Forth!

  5. Hi Jan,

    Great interview! Sad about Glenn not being with us anymore. Thanks for the link to The Collectors website in your interview – that was a page created for me as there was hardly anything on the web about such a great band.

    I have started updating the website again (http://shadwell.tripod.com/collectr.html) and have been adding new pictures recently. I have more photos and concert handbills that also need to be added.

    I would like to link across to this interview if that is OK and give you the credit. If there are any other pages that would be good to link to, please let me know.

    Speak soon.

    Regards…Haydn.

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