In this video arranger Billy Strange talks about the recording session and the history behind the Nancy Sinatra hit “These Boots Are Made For Walkin'”.
Nancy Sinatra’s “These Boots Are Made For Walkin'” was number 1 50 years ago. “These Boots Are Made For Walkin’,” hit number 1 on Billboard’s and Cash Box’s national singles charts on February 26, 1966. Besides Nancy’s great singing it was Billy Strange’s skills as an arranger and co-producer that made this song immortal.
In 2010 I talked to Billy Strange (1930-2012) for at his home in Franklin, TN, about ”Boots“ and he told me how he came up with the famous sliding bass intro played by Chuck Berghofer and why songwriter and producer Lee Hazlewwod didn’t want Nancy to record ”Boots“. You can watch the interview in the video above.
Billboard’s December 25, 1965 “Spotlight Singles” review of “Boots” recognized the hit potential of the song:
Having hit the Hot 100 chart with her ‘So Long Babe,’ Miss Sinatra has top of the chart potential with this fine folk-rock material from the pen of Lee Hazlewood. Her vocal performance and the Billy Strange driving dance beat should move this one rapidly up the chart.
More information about “Boots” on Nancy Sinatra’s website.
Billy Strange had a extraordinaire career as a guitarist, singer, recording artist, arranger, conductor, songwriter, composer and producer. He worked with Nat King Cole, Frank Sinatra and Elvis Presley. He also worked as a studio guitarist in Los Angeles in the nineteen fifties and sixties. Here you can find his huge but incomplete discography.
I stumbled upon a great article by Jas Obrecht about the history of guitar in the music studios of Los Angeles. In 1980 Obrecht had the unique opportunity to interview guitar legends such as George M. Smith, Al Hendrickson, Bob Bain, Mitch Holder, Tim May and Tommy Tedesco.
Billy Strange, about two years old
I’m still very sad about the passing of the great musician Billy Strange. Not was he only a wonderful guitarist, producer and arranger, he was also a great friend. A unique man: thoughtful, funny, clever, heardheaded and supportive. He had the greatness to let others shine on stage and on records.
Over the years I’ve met Billy several times. And the more I learned about his life and career, the more in awe I was. That’s why I started writing about him on this blog. Later I interviewed Billy on video. Two parts of this video interview were published by Swiss newspaper Tages-Anzeiger (English with German subtitles):
Das unbekannte Genie hinter Elvis und Sinatra: Teil 1
Das unbekannte Genie hinter Elvis und Sinatra: Teil 2
Here is my farewell to Billy (in German):
Der Forrest Gump der Musikgeschichte
And here are some articles from this blog about Billy Strange:
Billy Strange talks about Nancy Sinatra
Billy Strange’s Fuzz Guitar Spices Up Ann-Margret Ballad
The Billy Strange Story of Chubby Checker Hit Song ‘Limbo Rock’
The Birth of a Beach Boys Song
The Forgotten Nancy Sinatra and Lee Hazlewood CD
Billy Strange instrumentals on iTunes
Nancy Sinatra in the studio with Billy Strange.
Part 2 of my mini-video-documentary is now online: Billy Strange – Hit Maker.
Ann-Margret (Photo: unknown)
Billy Strange (Photo: The "Official" Billy Strange Fan Group on Facebook)
Recently I discovered a great fuzz guitar example on Westex’ blog Diggin’ It!!! performed by studio guitarist legend Billy Strange. He played a catchy fuzz guitar intro on Ann-Margret’s country-pop ballad I Just Don’t Understand from 1961 and added some more fuzz later in the song on the chorus and in the solo part.
Billy Strange is notorious for his fuzz guitar. In 1962 he played a driving fuzz guitar solo on the Phil Spector production “Zip-A-Dee-Doo Dah” by Bobb B. Sox and the Blue Jeans. To get the fuzz sound he used a very simple but effective method that he explains in Tales Of Broken Guitar Amps.
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According to the Yakima Herald keyboarder/electric bass player Larry Knechtel dies at age 69.
Larry Knechtel was a busy musician, working live and in the studios. He recently collaborated with The Dixie Chicks. Besides that he played with musicians and bands such as Ray Charles, Dolly Parton, The Doors, The Byrds, Neil Diamond, The Beach Boys, Steppenwolf, Randy Newman, Harry Nilsson and Elvis Presley.
Larry Knechtel received a Grammy award for arranging Simon and Garfunkel’s super hit Bridge Over Troubled Water, on which he also played keyboard. He was also a member of Bread.
As studio musician Larry Knechtel was an important part of the Los Angeles music studio scene of the nineteen-sixties.
Still today, many Monkee fans are disappointed about the fact, that the Monkees didn’t record their music. The Monkees records were made by a group of very versatile studio musicians.
The documentary The Wrecking Crew pays tribute to these great musicians in the background who were responsible for so many classic recordings of the nineteen-sixties.
Director Denny Tedesco, son of the late guitar legend Tommy Tedesco, interviewed Micky Dolenz of The Monkees for the documentary. And Dolenz says it straight forward:
“The Monkees was not a group”.
-> Watch the Micky Dolenz Interview