Great American Drummer Earl Palmer Has Died

His legacy is immense: he shaped American popular music with his drumming from the late nineteen-forties until the nineteen-eighties. Earl Palmer, born October 25, 1924, in New Orleans died on September 19th at his home in Banning California. He had to undergo a lung surgery about a year ago and was suffering since then.

Earl Palmer was a jazz drummer at heart, but his tasteful and incredibly diverse drumming felt at home in every style of music: rhythm ‘n’ blues, rock ‘n’ roll, blues, rock, soul, funk, film scores, cartoon music, or easy listening. He can be heard on dozens of historic songs and film soundtracks.

In then nineteen-fifties his drums made teenagers dance all over the world. He played on defining rock ‘n’ roll songs like I’m Walkin (Fats Domino) , Tutti Frutti, The Girl Can’t Help It, Long Tall Sally (Little Richard) , La Bamba ( Ritchie Valens) or Summertime Blues (Eddie Cochran). He recorded for soul star Sam Cooke (Cupid, Twistin’ The Night Away), for Frank Sinatra, Dinah Washington, Ray Charles, Herb Alpert, Glen Campbell, Mel Tormé, Lou Rawls, The Beach Boys, The Monkees, Tim Buckley, Tom Waits, The Byrds, The Supremes, Marvin Gaye, Randy Newman, Barbara Streisand and many others.

And then there are the film soundtracks: He worked with great composers like Quincy Jones, Elmer Bernstein, John Barry, Neal Hefti and Maurice Jarre. He supplied the rhythm to movies like Judgment At Nuremberg, Baby The Rain Must Fall, In The Heat Of The Night, Bullitt and he played on many television scores: 77 Sunset Strip, Peyton Place, The Partridge Family, M.A.S.H. and many others.

Earl Palmer was a tap dancer when he was a child and later picked up the drums. Soon he played with many local bands in New Orleans. After World War II he used the GI schooling for entering the Grunewald’s School of Music in New Orleans. He studied music theory, sight reading and arranging. So when he moved to Los Angeles in 1957, he not only brought with him the New Orleans “swamp beat”, but also a strong theoretical background that served him well in becoming the number one studio drummer of the Los Angeles music studios.

Drummerworld presents interesting information about his drumming including video samples. There’s also a very good biography called Backbeat: Earl Palmer’s Story that came out in 1999.

Drummer Buddy Harman: Shaping The ‘Nashville Sound’

Drummer Buddy Harman

Roy Orbison’s “Pretty Woman” has a simple, but great opening: a pounding snare on every downbeat, and the hi-hat on the eights. It takes a genius to keep it simple and make it sound distinctively at the same time.

The genius in this case is Buddy Harman, a Nashville studio drummer who was essential in shaping the classic and sophisticated “Nashville Sound” in the late nineteen-fifties and early nineteen-sixties.

You’re not sure, if you ever heard him play? Don’t worry, you heard him countless times. He played on many classic country and pop hit records such as Crazy (Patsy Cline), Bye Bye Love (Everly Brothers), Ring of Fire (Johnny Cash), Stand By Your Man (Tammy Wynette) or Viva Las Vegas (Elvis Presley). According to Drummerworld he played on 18,000 recording sessions in the last 40 years.

Listen to “The Drum History Minute”, a short but very informative introduction to Buddy Harman’s style of drumming narrated by drummer Daniel Glass:

This little piece of audio is a real ear opener and you will treasure the fine and discreet drumming of Buddy Harman even more next time you hear him playing.

Update Article from New York Times (August 22, 2008): Buddy Harman, 79, Busy Nashville Drummer, Is Dead