Spotify Playlist From Richard Linklater Movie “Boyhood” Including Wilco, Arcade Fire, Lady Gaga, Coldplay, Hives, And The Flaming Lips

Ellar Coltrane in "Boyhood".

Ellar Coltrane in “Boyhood”.

“Boyhood” by Richard Linklater is a wonderful quiet story. It’s like a Eric Rohmer movie but more down to earth and more fun to watch. The songs are neatly woven into the story and help define the characters and the time.

From the very beginning the filmmakers make it clear that they understand their business. They start the title sequence with “Yellow” by Coldplay and set the thoughtful mood for the entire movie.

In this Spotify playlist most of the songs from the movie are included. It was inspired by Indiewire. Enjoy.

 

Great American Drummer Earl Palmer Has Died

His legacy is immense: he shaped American popular music with his drumming from the late nineteen-forties until the nineteen-eighties. Earl Palmer, born October 25, 1924, in New Orleans died on September 19th at his home in Banning California. He had to undergo a lung surgery about a year ago and was suffering since then.

Earl Palmer was a jazz drummer at heart, but his tasteful and incredibly diverse drumming felt at home in every style of music: rhythm ‘n’ blues, rock ‘n’ roll, blues, rock, soul, funk, film scores, cartoon music, or easy listening. He can be heard on dozens of historic songs and film soundtracks.

In then nineteen-fifties his drums made teenagers dance all over the world. He played on defining rock ‘n’ roll songs like I’m Walkin (Fats Domino) , Tutti Frutti, The Girl Can’t Help It, Long Tall Sally (Little Richard) , La Bamba ( Ritchie Valens) or Summertime Blues (Eddie Cochran). He recorded for soul star Sam Cooke (Cupid, Twistin’ The Night Away), for Frank Sinatra, Dinah Washington, Ray Charles, Herb Alpert, Glen Campbell, Mel Tormé, Lou Rawls, The Beach Boys, The Monkees, Tim Buckley, Tom Waits, The Byrds, The Supremes, Marvin Gaye, Randy Newman, Barbara Streisand and many others.

And then there are the film soundtracks: He worked with great composers like Quincy Jones, Elmer Bernstein, John Barry, Neal Hefti and Maurice Jarre. He supplied the rhythm to movies like Judgment At Nuremberg, Baby The Rain Must Fall, In The Heat Of The Night, Bullitt and he played on many television scores: 77 Sunset Strip, Peyton Place, The Partridge Family, M.A.S.H. and many others.

Earl Palmer was a tap dancer when he was a child and later picked up the drums. Soon he played with many local bands in New Orleans. After World War II he used the GI schooling for entering the Grunewald’s School of Music in New Orleans. He studied music theory, sight reading and arranging. So when he moved to Los Angeles in 1957, he not only brought with him the New Orleans “swamp beat”, but also a strong theoretical background that served him well in becoming the number one studio drummer of the Los Angeles music studios.

Drummerworld presents interesting information about his drumming including video samples. There’s also a very good biography called Backbeat: Earl Palmer’s Story that came out in 1999.

Guitarist Billy Strange Talks About Nancy Sinatra’s ‘Bang Bang’

Nancy Sinatra, Billy Strange

Nancy Sinatra and Billy Strange

Nancy Sinatra’s “Bang Bang (My Baby Shot Me Down)” is a masterpiece of minimalism. Just a voice telling a dark love story and a haunting guitar.

The man who played the haunting guitar is Billy Strange, a veteran studio guitar player, singer, arranger, composer and producer. He was so kind to talk with me about the birth of this enthralling song.

Lost & Sound: Did you arrange the song?
Billy Strange:
There was no arrangement. I just played what I thought was appropriate and Nancy liked the way it was sounding, so we recorded it.

L&S: Why did you decide to record it with just one guitar?
BS: It was just as if the song called for it. More than one instrument would have been too many.

L&S: What kind of sound effect did you use on the guitar?
BS: I used a tremolo effect. There is a small box that creates it, made by Vox, I believe.

L&S: Do you remember which amp and guitar you used?
BS:
The amp was my old Fender Twin and the guitar was the Gibson 335 that Nancy gave me

L&S: Where did you record it?
BS: It was recorded at either United Recorders or Western Recorders in Hollywood. The engineer was Eddie Brackett.

L&S: Did you and Nancy record live together or did you lay down the guitar first?
BS: We recorded it live with no overdubbing at all.

‘Bang Bang’ took a long time to make some noise
Nancy Sinatra’s version of the Sonny Bono written “Bang Bang (My Baby Shot Me Down)” was a sleeper. When it came out in 1966 on the LP “How Does That Grab You?” it didn’t make a big impact. Cher’s original version was a big hit, though. This changed dramatically over the years. Nancy Sinatra’s take on the song is better known today. The song had a late breakthrough in 2005 when it was used for the soundtrack of the Quentin Tarantino movie “Kill Bill”.

L&S: Do you have any special memories regarding the recording session?
BS: I recall that Nancy and I were both very pleased with the way it turned out. I think it was done in one take.

L&S: How do you feel about the fact, that the song became popular again thanks to the “Kill Bill” soundtrack?
BS: It was very gratifying that it was felt to be “the” song for the movie main title.

L&S: How would you interpret the lyrics?
BS: It is simply a very sad love song about lost love, as I see it.

(This interview is based on an email conversation.)

Billy Strange, Jeanne Black

Billy Strange with his wife, singer Jeanne Black

Compare

Related